Molly Gunn, the freewheeling daughter of a deceased rock legend, is forced to get a job when her manager steals her money. As nanny for precocious Ray, the oft ignored daughter of a music executive, she learns what it means to be an adult while teaching Ray how to be a child.
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User 1 Review:
A true potboiler in the most negative sense of the word, Body of Evidence is labeled an erotic thriller. If credit is to be given to anything for this one it would be that yes you do see a copious amount of sex. With that being said you have less suspense here than you would find in a Disney film. Madonna is wooden and rigid as a woman put on trial for murder and Willem Dafoe is woefully miscast as her attorney turned illicit lover. They explore the boundaries of safe and dangerous sex while Julianne Moore, Anne Archer, and Frank Langella get completely wasted in some of the most thankless roles ever created.
User 2 Review:
Any number of bad movies can be quite as terrible as Madonna's acting career. I saw Body of Evidence on demand and yep, this movie is hilariously awful. Poor William Dafoe decided to cast alongside Marge and the fact that the great Julianne Moore is in the movie. However, there's a lot of sex in this movie. Too bad the MPAA should've been given a first NC-17 wide release, but that didn't happen (that belong to the so-bad-its-good cult classic Showgirls). I just wished horny men might've read Playboy instead of watching an inexcusable Basic Instinct rip-off. I commited to this day as Body of Evidence stands as the worst, if not, the most Hated movies of the 1990's.
User 3 Review:
The positives of this movie? Lots of lurid erotic sex (The candlewax and champagne sccene and the sex scene in the dark parking garage are especially interesting. you also get a look at a very young and very hot Julianne Moore in the buff). Lots of great character work out of Willem Dafoe, Joe Mantegna, Anne Archer and a great cameo by Frank Langella. The negatives? Madonna trying to act. Bad theme music and soundtrack. Some awful, awful dialogue. Strange camerawork and ambiance from director Uli Edel. But perhaps the worst problem I had with this movie is the plot. Yes, she screws her husband to death. The plot is not only nearly absent but what plot does exist is predictable and ends anti-climactically, like one of Dafoe's violent orgasms.