In 1880s Kansas, sharpshooter turned rancher, Clay Travis (Michael Parè), goes from happily married father of two to a man on a mission after the tragic death of his son and the disappearance of his daughter. Determined to bring his daughter home safely, and to protect what little family he has left, Clay leaves his quiet ranch and heads to Wichita and then to Dodge City while tracking an evil brothel owner, LaVoie, with the help of an unlikely companion, Billy. Together they set out to destroy LaVoie and his henchman and save Clay's daughter while leaving a trail of gun smoke and dead bodies in their wake.
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User 1 Review:
The guy would have tied her to a chair. Waited for the husband to get back, then tied him to a chair. Then tortured them both until they gave up the money. Then killed them both. End of film and a much more realistic one. This guy just pops round like a friendly neighbor asking to borrow a cup of sugar, as he smiles and whistles and doesn't seem to miss his $100,000. OK, so he wasn't a gangster, just a guy looking for a buck, but the relaxed attitude he has, he doesn't seem worried or anxious to get the money at all. This really did take the tension away from the plot. Very good female lead and I wanted her to get away with it in the end. The brother was an unlikable character.
User 2 Review:
Morality is easy in the absence of temptation. Some people never steal or cheat on a spouse simply because they wouldn't know how. But what if very suddenly (and accidentally) you fall into possession of a kidnapping or blackmail payoff --- and nobody knows? Lizabeth Scott simply excels in her role here. Her natural ability to come on to a man -- naturally -- sweetly -- using her entire persona but without being obvious, she has more ability to manipulate than most of us could deal with.TOO LATE FOR TEARS has it all: Murder, treachery, backstabbing, double-crossing, booze drinking, poison, and cigarette smoking --- all smoothly kept under control by a strong director and script. See it.
User 3 Review:
"What do I call you besides Stupid?" 60,000 dollars drops into the lap of a somewhat happily married couple and the next thing you know...well, this is noir so of course Lizabeth Scott's house frau ain't all sandwiches and laundry--she's a beast and her slick partnership with Dan Duryea's two-bit thug is all kinds wrongheadedness. The dialogue is whipsmart and the first half crackles with electric intensity, but the involvement of the snarky Don DeFore and sister Kristine Miller bogs the film down a bit and the climax leaves a little to be desired. Still, it's a solid entry in the genre and well worth checking out. VF.
