Erin Grant loses care and custody of her daughter when she's divorced from her husband Darrell, a small-time thief. Struggling for money, she is a dancer at a nightclub, where one night Congressman Dilbeck (in disguise) attacks another member of the audience. A spectator, who recognizes Dilbeck and is fond of Erin, offers to get back her daughter by blackmailing Dilbeck. Things do not work out as planned, though.
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With some more money, some better talent a little more forethought, The Last Heist could have been something truly miraculous. As it stands, it is instead just "Not bad". I like these flip-the-script type crime thrillers. Of course no one's done it quite as well as Dusk till Dawn, but I'm always willing to give them a chance (this year's "Don't Breathe" looks like it has potential in that category as well).Henry Rollins is outstanding, but otherwise the cast is pretty low quality. It's understandable, within the confines of a movie like this, but it still has a negative impact on the tale overall. Like when a machine gun is firing but has no recoil. It doesn't make or break the movie, but it does take you out of the moment, and all these little things add up.Also had a little bit of a Payday vibe, which I appreciate.
Good Writing: 1.5 StarsThe first half of the movie has the writing style of the tv show "MTV Cribs". So for a while your thinking this movie is just silliness. But as the protagonists reality starts to change the narrative of the movie changes as well. Which seemingly starts off as a brainless comedy romp ends with a fairly emotional bang.Great Production: 2.0 StarsWhile most of the scenes film from the "reality tv" style camera work (which they make fun of) the soundtrack, set design and wardrobes are all top notch. Gotta give it to Lonely Islands original soundtrack and stage performance, and acting.
Mockumentaries have to walk a fine line between reality and satire. POPSTAR manages not only this, but also freshens the genre with compelling characters, a lot of clever humor, a strong dose of inventive raunchiness that is always funnier than offensive, and a few unexpected thoughtful twists that bring it all home in a meaningful way. Dense with fast-pitched laugh-out-loud situations and dialog, this well-produced film creates an ensemble vehicle that gives all characters a chance to delight, as well as a spotlight for Andy Samberg to show he's got more than we might have thought. And, that's a lot.
Posted on: June 13th, 2016
Posted by: filmxy
