In a cold and remote landscape, two strangers struggle to repair their broken pasts. A young man is on parole after serving time for attempting to murder the man who killed his girlfriend in a hit and run. A woman is released from a psychiatric facility far from her homeland. These two damaged strangers cross paths in the mountains in winter and fall into a complex intimate relationship, putting to the test their capacity to trust and heal.
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Hysterically funny, essentially an updated 70's version of "It's a Mad, Mad, Mad", etc..., as a troupe of greedy heirs to a millionaire game- magnate's (A comical Vincent Price in a wordless cameo--) fortune compete in the titular activity to receive their inheritances. Some VERY amusing sequences, & the cast is hilariously on point, especially Scatman Crothers (As a mild-mannered Security Guard-), Richard Mulligan (As obtuse cabbie Melvin Dummitz--), Cloris Leachman (Price's predatory Harpy-of-a-sister-), Roddy McDowall as Price's prim-&-proper butler, James Coco (As Price's flamboyantly temperamental cook-), & Richard Masur (As Leachman's gigantic & slobberingly-spoiled Man-Child-). The museum scenes with the clumsily-stumbling suit-of-armor & the rampaging mummy are priceless! Replete with amusing cameos by Meat Loaf, Ruth Gordon, Avery Schreiber, & AH-NOLD before his "Conan" days!
A confusing and very messy film. The plot involves time-travel, alternate universes and possibly reincarnation. I dunno, it was hard to keep track. The film had some unique visuals. Unique in the sense that it was made in the 00's and looks like it came out of the 70/80's. I'm pretty sure this is mostly on purpose. It looks old and even the music sounds like pieces of cheesy piano solo's and synth action beats. The performances come dangerously close to soap opera standards and it all has a thick layer of cheese that is hard to cut through. And as we all know cheese is pretty soft, that's HOW cheesy this film is. It was intriguing at first as I was trying to figure out what the hell was going on. Then I realised, if the film didn't know what it was doing, then my chances were slim.
Reach Me will likely be remembered for its all-star cast, but not much else. It's another fairly empty entrant into the multi-character/multi-story line/everything-converge-at-the-end style that's been done to death in recent years, particularly around the indie scene, and to varying results. Reach Me might embody the genre through-and-through, but it doesn't go anywhere with its potential or leave the audience feeling any wiser, or better, for having watched it. There's no room for real, tangible character growth, leaving most of the players jumping from points rather than following a better defined arc. It's worth a watch, but most won't reach out for it again.
Posted on: March 3rd, 2019
Posted by: shadow
