Bitti (Kriti Sanon) is a young contemporary girl in Uttar Pradesh, who works in complaint department of electricity board and is the apple of her father's eye. Like most Indian mothers, Bitti's mother wants to see her daughter get married to a nice man from a good family. Bitti, however, wants a husband who understands her and more importantly, who accepts her exactly the way she is. A suitor comes but after knowing his disgusting mindset, she lies about not being a virgin and gets rejected. Her mother gets irritated with constant rejections but father understands her. She gets heartbroken after hearing her parents conversation and later pours her heart out before her father who consoles and cheer her. That night she leaves her house and despite not knowing to go anywhere takes a train. Meanwhile, for time pass she also buys a book from the platform. She feels she has found that special someone when she reads a book called 'Bareilly Ki Barfi' and finds herself described and accepted ...
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User 1 Review:
A flashback in more ways than one - both in theme, and in execution of the film itself - The Yakuza features Mitchum as an American soldier returning to Japan for the first time since WWII. There, he seeks to settle a debt for a friend - all the while rediscovering a woman and child he saved after the war (as well as her brother, sworn to both hate and protect him). A film that explores the Japanese "giri" or obligation - from both Western and Eastern points of view, The Yakuza features good action sequences and classic 70s cinematography as helmed by the capable Pollack. An example of how to shoot violence without gratuity - and how to ably tell a complex story in less than two hours.
User 2 Review:
Could have been so much better. Shrader's script is excellent, but Pollack's directing is pedestrian, bordering on hamfisted. It was like watching an episode of Kojak or Starsky and Hutch.The script itself wasn't like anything else Shrader has ever written, no loners, no social commentary about the decline of civilization, no seedy inner city settings, making it difficult to even identify him as the screenwriter. The directing however, left something to be desired. Pollack is usually a perfectionist but this thing came across as campy. The fight choreography was amateurish at best, hilarious at worst. At least Mitchum was there to lend a little credibility.
User 3 Review:
I thought the one modern Japanese 'good guy' swordsman against many Yakusa gangsters was a particularly well crafted scene, reminiscent of the great Toshiro Mifune. While perhaps a little less than Samurai reality, nonetheless a character study in the Japanese Bushido tradition of stiff stand-off posturing. It was interseting to watch his transformation from a modern Japanese to an ancient warrior, in a matter of seconds. His actions were extremely minimal and efficient - mark your target, judge your attack, and kill at one stroke - unlike his clumsy western companion, Mitcham, who fell about the place while fighting off the rest of the mob in the house, with firearms. Like comparing ballet with a pub punch up. Then we had the 'Kill Bill'... and 'Blade'...'me too' series.